The Lakes has been an enormous shift in my photography style and I’m still getting to grips with it, but my interest has always really come from portraying the working-class experience in the UK, which lately has led me to working more in ex-mining areas, where the history of working-class struggle is visible in, and underneath, the landscape. I’ve developed techniques on the way to finding my vision which I’d rarely practised before, so it’s also been a great learning experience. I’m definitely working in more landscape-based areas now, which I’m finding new strengths in.
I find that my ideas of what I want to achieve in my photography are what’s truly driving me, as I often put a lot of planning, research and testing into my work so of course, I have to use my time wisely in that respect and am striving to flesh out a vision meaningfully. I also find the gallery work very well balanced, because I have my own responsibilities there and I’m very proud of the work that I do, with the support I need from the company to also work commercially and personally on photography and film when I need to. Additionally, the artworks are always changing and I give myself time to reflect on all their inspiration and creation and see where my work might fit in as part of the wider Lake District Art movement.
There are many of both! In terms of challenges, the first would be physical. It’s not just a technical exercise making photographs here, it involves strenuous walking, climbing, carrying and looking after equipment in wild conditions, the list goes on. It’s made me the most physically fit I’ve probably ever been. Secondly, the challenge of carving out my own path in terms of what I want to make, and the work I want to be known for.
In terms of opportunities, it’s interesting, too. The ‘saturation’ I spoke about, makes it difficult to get your work seen and sold in the area, but when the opportunity comes, every gallery in the LDNP has a huge footfall so your work is seen by hundreds of people.
Occasionally there are grants and exhibitions to work towards too which again bring great numbers of visitors.
Yes, but it could be a long list!
I would advise anyone hoping to work with a gallery:
How do you incorporate storytelling into your photography, particularly when capturing the landscapes and culture of the Lake District?
I think that my work nowadays is less project-based, and more working towards a larger body of work in which I’m trying to tell the less-told story of the area. I try to weave metaphor into each of my images so that they’re not purely face-value and straight documentary. I also am not scared to use photoshop to accentuate parts of an image which might add a sense of the surreal to them, (which I’ve always been interested in photographically) and helps me in finding my photographic identity. I would say that there is an overarching theme of melancholy throughout my work, which points towards self-discovery and a general displeasure at the world we live in which butts heads with this ridiculously beautiful landscape I’m lucky enough to live in. I conduct a lot of my practice alone which I think is something I communicate quite well through the photographs I make.
Are there any specific themes or subjects that you find yourself drawn in your photography?
As I mentioned before, the theme of the British Working Class experience is something that I try and work closely with, and has been a running theme with my work for around 10 years in various places I’ve lived. This theme pervades into my commercial work too, as I hope to work alongside more small businesses with sustainable business ethos behind them. I try and focus my work so that it has some political meaning, as otherwise I find it decorative and falls short of what I want from it.
I also find that climate change is something that underpins my work and is currently inspiring a different project I want to commence working on. There’s definitely a feeling of fragility in a lot of my landscape photography and I try not to make too many ‘postcard’ pictures, that lose their meaning in the sea of imagery.
And since I graduated from the Documentary course at Newport, I’m always thinking about industry - past and present. The course was situated a stone’s throw from the Welsh coal mining valleys in which the communities had more than their share of poverty and of course, disaster - so I’m often thinking about how our modern industrial life (that includes tourism), affects our working people. Cumbria has its own mining disaster stories, did you know?
What role do you believe photography plays in preserving and promoting the natural and artistic heritage of the Lake District?
I think art as a whole, not just photography, has a vital role to play in the communication of important issues. As a culture we’re moving towards more image-based communication and although education on the language of imagery is still catching up, we can profoundly communicate through art, photography and film what’s prescient in terms of the problems we face. As makers we have a responsibility to preserve and protect the things that give us inspiration, so that others might be able to be inspired and learn from them too. The Lakes is a place with centuries of artistic history, and centuries of future still to be realised and all artists and makers will find their place within those histories also. For me, I believe there are many stories that have yet to truly see the light of day which have been born in this area and this has led to the conception of a project I’m hoping to begin soon.
How do you stay inspired and continue to evolve as a photographer while managing the responsibilities of an art gallery?
I think working in the art environment (our gallery is always very busy) allows me to understand the varied interests and appreciations that people have in terms of how they see the Lakes. I take this feedback on board and put it into my work, as going back to ‘finding my vision’, I feel it’s pertinent to stay focussed on achieving my own ideas, without bending or diluting the work under the pressure of commercial success. Being here has taught me how to use my camera, tools and programs in ways I’d not really tried before, so even in that there is progress and inspiration. I really enjoy my responsibilities at the gallery and find that the company appreciate my efforts and values, and I feel valued as a colleague, so this job satisfaction coupled with the interaction I get from visitors really gives me the clear head I need when thinking about my next photograph.
For me, it’s what I do, what my mother has done and my grandmother before her.”
It's an ancestry; running deep.
]]>I recently travelled north of the county to visit Helen Rebanks at her family’s farmhouse near Penrith. I wanted to chat with her about her life and her family – and how she came to write her book “The Farmer’s Wife” which is to be published this week - on 31st August.
Helen is married to James Rebanks; both are fell farmers, educators, home makers and parents to four children; Molly 17, Bea 15, Isaac 11, Tom 5.
I first met Helen back in around 2013 at a popular local wool fair Woolfest, which ran in north Cumbria at Cockermouth Auction Mart. I had recently begun OUBAS a year previously in a home studio in Ulverston in the south of the county, so Woolfest was one of our first events. Helen has been a valued supporter since those early days; valuing as she does good quality, locally made food and products. Isaac at the time was only around 3, clutching a couple of toy Herdwick sheep.
We both settle down in the family living room, which looks out over a fairly overcast grey July Cumbrian sky - the garden flowing into open fields and wooded pasture. Helen’s sheepdog Floss curls up close by her feet as she sits on an armchair in the window. She tells us about a hare they watched from outside her kitchen window the previous evening, watching it pop up from different windows around the house; it had obviously found a content place to be.
Helen has very clearly also found a place that brings her much contentment too – the farmhouse feels a very warm and welcoming home, which at times is full of the bustle and chaos of family life, but on the day we chatted felt calm and cosy. It is the hub of the family and the farm – Helen explains the open plan kitchen and living area has been created to be an energetic, lived-in room where all the family comes and goes. She tells me how she feels the nurturing aspect of a home is so important – a place where everyone is valued and supported; we speak of the value of all the family eating together around the table, sharing the day and listening to each other whilst enjoying good food. We agreed a circular table (as I also had growing up) has a unique affect on a family gathering, each person sat in equal footing.
As a teenager, Helen was desperate to leave her family’s farm to travel and experience new places. “I would have done anything to get away from the farm as a teenager, but ultimately the farm, family and the kitchen table drew me back. It’s what mattered to me all the time growing up.” Helen lived and worked for some time in Oxford, whilst her now husband James was studying there – but farming, family, and the Lakes drew them back. “When I got away from it in Oxford” she explains, “it wasn’t fulfilment.”
Helen and James now have four children and a very busy family and farming life. The pandemic provided some unexpected time for her to explore her idea of a possible recipe book to pass on to her children. Each recipe brought with it memories, thoughts and feelings – and Helen’s writing evolved into something more: part memoir, part celebration of the role of a rural farm woman – with food very much at its heart.
Helen explains “I’ve written the book I couldn’t find. I couldn’t find my life being represented – I’m really proud to be a farmer’s wife. I absolutely wanted to balance the scales and tell the story of a rural farm woman, and it’s a job that is so valuable and important. It doesn’t have to be a woman, but could be a man who is in the supporting role. For me, it’s what I do, what my mother has done and my grandmother before her.” It's an ancestry; running deep.
Helen talks of her frustration at being “unseen” in her role as a wife and mother and the many facets of those roles. She feels they are such valuable and important roles and often overlooked by the media. For her, the book is “a celebration of a life that’s quiet and ordinary. Finding the beauty and joy in every day life. What people think of as normal is never normal. There are so many strands weaving together to make a life.” She hopes that through her book she has been able to give a voice to all those unseen women.
From the initial responses to her writing, it seems that many women are finding resonances with their own lives and appreciating the value and sense of worth Helen is giving back to them. Helen too in turn appreciates these growing connections she is making with a community of readers – which is an unexpected pleasure for her.
The recipes in the book – intertwined with the story of Helen’s life – are those she cooks often. She explained to me how difficult she had found it to write down the recipes, so they could be clearly followed and understood. She has cooked these for many years, they have become second nature and she rarely measures or weighs ingredients. She will also vary ingredients according to what she has available and tries to use what’s in season and as locally grown as possible. It was a challenge to quantify and explain succinctly what she does naturally and almost without thinking, but she persevered.
Having received a preview of Helen’s book, we can certainly agree that she has succeeded in weaving so many elements of her life together along with many great family recipes – her love of good food and good quality, local ingredients shines through.
The Farmer’s Wife by Helen Rebanks will be published on 31 August by Faber.
Purchase a signed copy from Books of Cumbria
Images by Gemma McKell; 'Folk + Kin'
Wool, the remarkable natural fibre, has been a trusted companion for centuries keeping us warm in the coldest winters. It’s less known that during the summer months, wool can actually keep us cool too. So what lies behind its exceptional ability to provide insulation and regulate temperature?
This article delves into the science of wool, examining its unique structure and revealing the secrets behind its ability to provide both warmth and cooling comfort.
During winter, wool truly shines as a natural insulator. Its crimped and curly fibres create countless tiny air pockets within the fabric, reducing heat conduction between our bodies and the cold air outside. This, coupled with wool's high loft that retains air, enhances its insulation capabilities, enveloping us in the cosy warmth we know and love.
However, wool's wonders extend beyond winter wear. In warmer weather or during physical activity, wool continues to be a reliable companion for comfort. Thanks to its hydrophilic nature, wool fibres have a strong affinity for moisture. When we sweat, wool absorbs the moisture vapour, facilitating evaporative cooling and preventing overheating. The absorbed moisture is then locked within the fibre structure, keeping our skin dry and maintaining a comfortable microclimate.
As the environment dries out, wool fibres release the accumulated moisture, providing a warming effect that safeguards us against the chill. This dynamic moisture regulation ensures comfort in all seasons, regardless of temperature fluctuations.
Beyond its insulation and moisture-regulating properties, wool offers additional benefits. It is naturally flame-resistant, making it a safe choice compared to synthetic materials. Wool fibres are also remarkably durable, retaining their shape even with repeated use. Additionally, wool resists dirt, stains, and odours, making it a practical and low-maintenance option for clothing and bedding!
Exploring Wool's Insulating and Temperature-Regulating Properties
The Structure of Wool Fibres
Wool fibres are composed of a unique crimped and curly structure, which creates numerous tiny air pockets within the fabric. These air pockets act as insulating barriers, reducing heat conduction and trapping warm air close to the body. In cold weather, this structure provides exceptional insulation, keeping us warm and cosy even in freezing temperatures.
Moisture Regulation in Wool
Wool is hydrophilic, meaning it has a natural affinity for moisture. When wool comes into contact with moisture vapour, such as sweat, it absorbs the vapour without feeling damp. This moisture absorption generates heat as a byproduct, providing additional warmth even when the wool is wet. This property sets wool apart from other materials, as it continues to provide insulation and comfort even in damp conditions.
Breathable and Cool in Warm Weather
Contrary to popular belief, wool is a breathable fabric that allows air to circulate freely. The natural crimp and moisture-absorbing capacity of wool fibres enable air to flow through the fabric, preventing the buildup of heat and moisture next to the skin. This breathability ensures that the body stays dry and comfortable, even during hot and humid weather.
Moisture-Wicking Properties in Wool
Wool possesses excellent moisture-wicking properties, actively moving moisture away from the skin. When we perspire, wool fibres absorb the moisture and transport it to the outer surface of the fabric, where it can evaporate more easily. This moisture-wicking capability keeps the body fresh and dry, preventing the discomfort of sweat-soaked clothing (if exercising in wool!)
Heat Dissipation and Cooling Effect
In addition to its breathability and moisture-wicking properties, wool has the unique ability to dissipate excess heat. The structure of wool fibres allows for efficient heat transfer, helping to regulate body temperature in warm weather. As heat is released from the body, wool helps prevent overheating and maintains a comfortable environment for the wearer.
Wool's versatility as a temperature-regulating fibre is evident in its ability to provide insulation in cold weather and promote breathability and cooling in warm weather. This natural adaptability makes wool a favoured choice for a wide range of garments, from cosy winter wear to lightweight summer apparel.
Other Properties of Wool
Wool's unique structure is not the only remarkable aspect of this extraordinary fibre. In addition to its remarkable structure, wool offers a plethora of other properties that make it an exceptional material for various applications.
Natural Wrinkle Resistance and Recovery
Wool fibres possess excellent resilience and the ability to bounce back to their original shape. This property is highly coveted in the fashion industry as it helps maintain a smooth and wrinkle-free appearance even with extended wear. Wool garments retain their structure, enabling wearers to effortlessly exude a polished and put-together look.
Beautiful Looks
Wool fabric has a natural lustre and sheen, adding a touch of elegance to any outfit. It takes dye exceptionally well resulting in vibrant and long-lasting colours. Whether it's a classic jumper or a flowing wool dress, the visual appeal of wool enhances the overall aesthetic and sophistication of everyone's wardrobe.
Resilient and Durable
Clothes made from wool are known for their durability. Wool fibres can endure bending and flexing without breaking, ensuring that garments maintain their shape and structure over time. This resilience guarantees that wool pieces remain wearable and retain their high-quality appearance, season after season.
Natural Fire Resistance
One of the remarkable properties of wool is its inherent fire resistance. Unlike synthetic materials, wool has a higher ignition threshold and is naturally self-extinguishing. It resists the spread of flames, providing an added level of safety. This natural fire resistance makes wool a preferred choice for designers and wearers who prioritise both style and security.
Sustainable Fabric
With the growing emphasis on sustainability in the fashion industry, wool's renewable and biodegradable nature is a significant advantage. It can be sourced from sheep and other animals without causing harm to the environment, making it a conscious choice for eco-friendly fashion. Opting for wool fashion garments contributes to a more sustainable wardrobe and supports responsible fashion practices.
Wool is truly a remarkable natural fibre that offers a wide range of benefits, making it a versatile and sought-after material for both warm and cool climates. Its unique structure, characterised by crimped and curly fibres, creates countless tiny air pockets that provide insulation by reducing heat conduction. This inherent insulation makes wool an exceptional choice for keeping us warm and cosy during the coldest winters.
However, wool's wonders don't end there. It also excels in regulating body temperature and providing comfort during warmer weather. Its breathability allows for air circulation, preventing the buildup of heat and moisture next to the skin. Additionally, wool's moisture-wicking properties actively move moisture away from the body, keeping us fresh and dry even in hot and humid conditions.
Whether you're snuggled up in a wool sweater on a chilly winter day or enjoying the cooling comfort of a wool garment in the heat of summer, wool proves to be a reliable and adaptable companion. Its ability to keep us warm or cool, its durability, and its eco-friendly nature make it a favoured choice for those seeking comfort, functionality, and sustainability in their wardrobe choices!
]]>My initial spark stemmed from a desire to do something with my life that provided me a genuine sense of purpose. I was fascinated by brands such as Toms (Shoes) that put a social cause at the heart of their business and harboured the idea of one day doing the same when the time was right. Having travelled to Africa on a number of occasions and feeling a huge connection with the people, the culture and the beautiful wildlife, I wanted my impact to be there, whatever it looked like.
I learned that 10% of the world’s population are unable to access eye care, far more acute across Africa, and yet a pair of spectacles is recognised by the World Health Organisation as one of the most cost effective poverty alleviating tools you can give someone.
Vision is a fundamental human right, and everyone should have access to eyecare regardless of where they are born, so Pala was set up to be the vehicle to enable change through the sale of our eyewear.
What has been the most rewarding part of your work with Pala Eyewear?
There are a few! If I were to narrow it down, it has to be the trips to outreach projects in Zambia and Ethiopia and witnessing the moment when a person put on a pair of glasses for the first time. There is a strange kind of bewilderment initially as everything is brought into sharp focus, and then a truly wonderful smile at the understanding of how different their world has now become.
How has your mission statement evolved since you first started your brand?
The mission statement hasn’t strayed too far from the original, which was founded around the simple words of ‘Wear. Love. Give’. Those principles remain today, however the evolution to ‘see the world better’ feels a far broader reaching mission. Whether it be Pala as a business, our customers or people we interview, it’s about learning and sharing our solutions that improve the welfare of people and planet, no matter how small or large that improvement is.
What do you see as the biggest challenge in providing eyewear to those in need?
It’s ensuring the funding and financing ends up benefiting the end person and does not get intercepted along the way. We partner with Vision Action, a charity that does a lot of great work in central and Eastern Africa, working on the ground with local Government and NGOs to ensure the financing of vision centres and their outreach programmes is correctly distributed.
We fund their vision projects, with a focus on refurbishing and equipping vision centres, so it’s about long terms solutions. Our first project, a vision centre in Chinsali, Zambia, we refurbished in 2017 has seen more than 26,000 pass through since launched in 2017.
What do you think the future of Pala Eyewear looks like?
The future is bright, but we still have a long way to go – we are a small company and need to get a little more famous! The vision is to have funded 5 vision centres by 2030, which would mean more than 300,000 people benefitting from restored vision and all the economic empowerment that comes with that.
We have just moved into optical for the first time and will soon be launching a white label service for other companies so that they too can benefit from sourcing eyewear with all the ethical and sustainable credentials of Pala.
What advice would you give to someone looking to start a similar project?
Prepare for the long haul. It takes a long time to land your brand in the market; it’s incredibly competitive and you can rarely compete with the bigger players in the digital advertising space. You therefore have to be innovative and work on growing a loyal audience who will then become your advocates. Use your network, work on a strong and transparent supply chain and enjoy the ride as much as you can!
What have been the most meaningful moments for you during your work with Pala Eyewear?
There have been some nice award wins that have e-enforced the ambition of our work and becoming a B Corp in 2020 is a good example of that. However it is the little stories that are most meaningful. For one of our weavers we managed to get funds from one our stockists to buy her a bike after they heard of her 8-mile round trip to get water in the morning!
What do you think is the most important factor in creating sustainable change in Africa?
For Pala, without having a partner such as Vision Action to work with, we would not be able to create the change as dramatically as we have. So that relationship is a key one. I have also been to projects and visited out case weavers as I also feel it is important to connect with the communities we are working with and understand their needs beyond the business of Pala.
As an example and a fitting end to this question I urge you to take a look at this short video of Jib Hagan who we runs the weaving communities we work with in Bolgatanga and how his dream of recycling plastic waste is helping to provide a new found opportunity in light of climate change. By putting monetary value on using old water sachets and recycled black plastic, habit change is being created.
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10. What do you think the future of the floral industry, particularly from a sustainability perspective looks like, and how are you preparing your students for it?
Sustainability is a key issue within our industry, as is with many others too. It was highlighted a few years ago just how damaging to the environment, and ourselves, the use of floral foam was. We no longer teach with foam and many progressive florists no longer use it within there work however there is still a huge proportion of businesses and educators that do. Until floral foam is banned we will continue to educate and share as widely as possible the alternatives to using this toxic material.
We champion the use of locally grown flowers, whetever you are in the world if you’re able to use local, sustainably grown flowers then you’re doing the very best you can. We do recognise however that in order to work 12 months of the year on large scale events florists will need to import flowers too. We want to help florists make the best, informed decisions when buying from overseas growers. For this reason we’re taking time out from our usual course schedule during 2024 to take Tallulah Rose on the road. We’ll be visiting and teaching on the Netherlands, the USA and Japan. We’ll be focussing our efforts on learning from those overseas growers, seeing first hand their growing operations and sustainability policies. We’ll then bring our findings back to the Uk and share all that we’ve learnt, inturn allowing our florists to make informed decisions on who and where they buy their flowers from. 2024 promises to be an exciting, inspirational and no doubt challenging year for us but we can’t wait to learn and share!
We’ll be back in 2025 with our usual course schedule so if you’re planning to study with us this year please head to our website to book your place before we’re sold out and you have to wait until 2025!
Discover all about Rachel's Tallulah Rose Flower School here:
https://tallulahroseflowers.com/
The talented Rosanna Morris is a Printmaker and Illustrator based in the Southwest of England. She works primarily with relief printmaking and creates hand carved original prints that explore food sovereignty, natural biodiversity and our human connection to the land.
We chatted recently about her life and inspirations.
Tell us a little about your practice and how you found it, or how did it find you?
I've been addicted to the process of making relief prints since I was 18 years old. I came across giant wheatpaste prints whilst on a trip to Paris and got super excited about the idea of carving images and sharing them so publicly, it felt like a way of communicating that stepped passed the traditional system and took ideas into the hands of normal people. Ive been in love with the process ever since.
What are the most important tools and materials in your practise?
I couldn't be without my pfiel cutting tools, small wooden handled mushroom tools that carve my pieces. Also my hand built etching press bubulina, she was constructed by my partner 6 years ago and is a beast. She allows me to think outside the box and make larger prints.
What do you feel is important or most meaningful about craftsmanship in today’s world?
How can craftsmanship be used to live a more a sustainable, kinder lifestyle?
Where do you live, and how does this inform your work?
What are you working on currently, and what are you hoping to do this year?
Rosanna is wearing our Donegal Merino Sweater in Biscuit.
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If you have any items of knitwear that have have holes, loose buttons, snags, signs of wear or other or other damage, our skilled artisans are here to help. We have decades of experience between us in handling delicate knit fabrics, and take pride in providing professional and meticulous repair work that restores your knitwear.
The process begins with us having a look at your items and assessing it to determine the best approach for repair. We use high-quality materials and techniques, ensuring that the repair work is durable and long-lasting. Whether it's fixing a hole, reattaching a loose button, or addressing other issues, we pay attention to every detail to bring your knitwear back to life.
Repairing knitwear is a sustainable choice that extends the lifespan of your cherished items, minimising the need for new purchases and bringing items back to life.
Below is a list of the services we offer:
Hole Repair: Mending small holes or tears in knitwear using matching yarn and techniques such as darning or patching.
Seam Repair: Fixing loose or unraveling seams to ensure the knitwear retains its original shape and fit.
Button Replacement: Reattaching or replacing buttons that are loose, missing, or damaged, to restore functionality and aesthetics.
Snag Repair: Repairing snags or pulled threads on knitwear to prevent further damage and maintain a smooth appearance.
Hem Repair: Fixing frayed or unraveling hems on sleeves, cuffs, or bottom edges of knitwear to prevent them from getting worse.
Neckline Repair: Repairing stretched or distorted necklines to restore their original shape and fit.
Patchwork: Creating decorative or functional patches on knitwear to cover holes, stains, or other damages while adding a unique design element.
Zipper Repair/Replacement: Repairing or replacing zippers in knitwear that have broken or are not functioning properly.
Elbow or Knee Patching: Adding reinforcement patches to elbows or knees of knitwear to prevent wear and tear in these high-stress areas.
General Knitwear Maintenance: Providing general services such as offering washing woollens, de-pilling, and reshaping your knitwear to keep them looking fresh and well-maintained.
Note: The specific repairs offered may depend the type of knitwear and the extent of damage. It's important for us to thoroughly assess each knitwear item once we receive to determine the appropriate repair technique and provide accurate estimates to you.
If you have an item you'd like us to bring back to life for you, get in touch with us at darnit@oubasknitwear.co.uk. We can then give you an estimate of the cost from here.
Our pricing starts from £25.00 to repair small holes and give a gentle de-bobble.
We look forward to giving your loved items a new lease of life!
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This week marks a week-long campaign Fashion Revolution; founded by Carry Somers and Orsola de Castro in the wake of the Rana Plaza disaster in 2013.
Monday marked 10 years since the disaster; on 24 April 2013, the Rana Plaza building in Bangladesh collapsed. More than 1,100 people died and another 2,500 were injured, making it the fourth largest industrial disaster in history. That's when Fashion Revolution was born.
For nearly 10 years, they have been campaigning passionately for a clean, safe, fair, transparent and accountable fashion industry.
All of us working together at OUBAS believe in a global fashion industry that conserves and restores the environment and values people over growth and profit.
In today's globalised world, it's easy to find clothing from all over the world online. However, our community feels that there are many advantages to choosing more locally made goods.
In reflection we're exploring the benefits of trying to invest in more locally-made items. The benefits range from supporting local economies and communities to promoting sustainability and quality craftsmanship.
Supporting local economies and communities by choosing to buy British-made products directly supports them. When you purchase goods that are made in the UK, you are contributing to the growth and sustainability of local businesses, supporting local jobs, and helping to keep money within the local economy. This can have a positive ripple effect, as local businesses often reinvest in the community, support local suppliers, and contribute to the overall well-being of the area. By buying British-made goods, you are playing a role in fostering economic growth and supporting the livelihoods of those in your community.
Local production often involves shorter supply chains, which can reduce the carbon footprint associated with transportation and lower the overall environmental impact of a product. Additionally, like us, many British manufacturers prioritise sustainable practices, such as using eco-friendly materials, reducing waste, and implementing environmentally responsible production methods. By choosing locally made goods, you can support brands that prioritise sustainability, and contribute to reducing your carbon footprint.
Quality craftsmanship and artisanal skills - the British isles has many experienced and highly skilled makers who have a long-standing history of producing goods using traditional techniques, passed down through generations. This results in materials and items that are often of superior quality, with attention to detail, durability, and longevity. When you choose to buy British-made goods, you are not only investing in a product but also in the artistry, expertise, and heritage of British craftsmanship.
Supporting ethical labor practices - buying British-made products also supports ethical labor practices. Many British manufacturers adhere to strict labor laws and regulations that protect workers' rights, ensuring fair wages, safe working conditions, and fair labor practices. By choosing products made in the UK, you can have greater confidence that the workers involved in the production process are treated ethically and fairly, and that your purchase aligns with your values of social responsibility and ethical consumption.
Cultural and heritage value - British-made items often carry a cultural and heritage value that is unique to the region or community they come from. They are often linked to local history, traditions, and craftsmanship that have been passed down for generations. You can support and preserve these cultural and heritage values, helping to keep local traditions and craftsmanship alive for future generations to appreciate and enjoy.
Customisation and unique designs - British-made products often offer customisation options and unique designs that set them apart from mass-produced styles available on the high street. Many local makers like us are willing to work with customers to create bespoke items, tailored to their specific preferences and requirements. This allows you to have a more personalised and individualised item in your wardrobe that reflects your style and taste, and stands out from the mass-produced options available. Something we love!
If you're a lover of French style, you may have come across the term "tricot de peau." Translated to "skin knit" in English, tricot de peau refers to a specific type of undergarment that originated in France and has become a beloved and iconic piece of clothing.
In this journal, we are exploring the history and significance of the tricot de peau, its uses and styles, why it has become a staple in French fashion, and why we included it in our knitwear ranges in 2023.
History and Origin:
The tricot de peau has a long history that dates back to the 19th century in France. It was initially designed as an undergarment for men and women, made from knitted fabric that was soft and comfortable against the skin. The term "tricot de peau" was coined due to its close-fitting nature, which made it feel like a second skin when worn.
The tricot de peau gained popularity in the early 20th century, particularly during the Belle Epoque period, when fashion trends were shifting towards lighter and more comfortable clothing. It was primarily worn as a base layer under other garments, providing warmth and comfort without adding bulk or weight. It was also appreciated for its versatility, as it could be worn on its own or layered under other clothing depending on the season or occasion.
Uses and Styles:
Traditionally, the tricot de peau was worn as an undergarment, serving as a base layer for both men and women. It was typically made from lightweight, breathable, and stretchy fabric, such as cotton or silk, which made it ideal for wearing close to the skin. The snug fit of the tricot de peau helped to regulate body temperature, making it suitable for year-round wear.
Over the years, the tricot de peau has evolved in terms of styles and uses. Today, it is not only worn as an undergarment but also as a standalone fashion piece. The tricot de peau has become a stylish item that can be worn on its own or layered with other garments to create different looks.
There are various styles of tricot de peau available today, ranging from classic to modern. The classic style typically features a crew or V-neck, short or long sleeves, and a fitted silhouette. It is often made from high-quality fabric, such as cotton or silk, with delicate details, such as lace trim or embroidered accents. The modern style of tricot de peau may have a more relaxed fit, with options for different necklines, sleeve lengths, and colors. It may also incorporate modern materials, such as sustainable fabrics, to cater to different preferences and sustainability concerns.
Why It's a Staple in French Fashion:
The tricot de peau has become a staple in French fashion for several reasons. Firstly, it embodies the French approach to fashion, which values comfort, quality, and versatility. The tricot de peau's soft and stretchy fabric, snug fit, and lightweight nature make it comfortable to wear and easy to layer, making it a practical and versatile piece in any wardrobe.
Secondly, the tricot de peau is appreciated for its timeless and classic style. Its simple yet sophisticated design makes it a versatile piece that can be easily incorporated into various outfits and styles. It can be worn as a standalone top with jeans, a skirt, or shorts for a casual and chic look. It can also be layered under blouses, sweaters, or jackets for added warmth and style during cooler weather. The tricot de peau's ability to effortlessly blend with different garments and styles makes it a timeless and enduring fashion choice.
Lastly, the tricot de peau carries a sense of tradition and cultural significance in French fashion. It has been worn by generations of French men and women, and its iconic status has made it a symbol of French style and elegance. The tricot de peau is often associated with the classic French wardrobe, known for its emphasis on quality basics, timeless pieces, and understated elegance. It represents the French approach to fashion; valuing simplicity, comfort, and quality over fleeting trends.
Styling Tips:
If you're looking to incorporate our new tricot de peau camisole into your wardrobe, here are some ways to wear it to consider:
Classic: Pair our Light Oatmeal or Deep Royal Blue Camisole with high-waisted jeans or skirt for a timeless look. Add a statement belt, and simple accessories for an elegant outfit.
Layering: use as a base layer under a light Spring jacket, light cardigan (as above) or linen shirt for added warmth and style during cooler days.
Feminine details: our tricot de peau camisole has a delicate pointelle fabric detail to add a feminine touch to your outfit. Pair it with a flowy maxi skirt or for a romantic and bohemian-inspired look.
Casual weekend: For a more casual look, opt for a size up and have a relaxed-fit camisole to wear with trousers and a relaxed cardigan. Add sandals, and sunglasses for more laid-back relaxed style.
Sustainable style: Our camisole is made from a pure merino wool. Naturally insulating but cool and comfortable to wear. A naturally sustainable fibre.
In conclusion, 'tricot de peau' is a timeless and iconic piece of French fashion that has evolved from its origins as an undergarment to a versatile and stylish wardrobe staple.
It's comfort, versatility, and classic design make it a beloved choice for those who appreciate French style and elegance. Whether worn on its own or layered with other garments, the tricot de peau exudes a sense of tradition, cultural significance, and effortless chicness that has made it a timeless favorite in the world of fashion.
So, embrace the tricot de peau and elevate your wardrobe with a classic and versatile piece. Vive la mode Française!
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Gemma McKell is a creative photographer and lives in Cumbria with her three daughters, husband and dog. She works under the name Folk and Kin and you can discover her journal on Instagram: @folkandkin.
How long have you lived in Cumbria?
I have been living in Cumbria my entire life, I briefly moved away in my late teens but soon moved home. I can't imagine living anywhere else. I love the way of life here and I’m proud to call Cumbria my home.
Where are you favourite places to visit?
Cumbria is a beautiful region of England, and it has many wonderful areas. The coast is my favourite place to visit. I love walking the nature trail at south Walney to the lighthouse and photographing coastal nature and foliage. The sea is a vast expanse of beauty, and a source of endless inspiration with its ever-changing colours and textures. I like to take imagery on the shore most days and I enjoy walking and beach combing for sea pottery and shells. It’s a great way to clear your mind and stir the imagination. I also like visiting and photographing our local heritage areas, in particularly Beatrix Potter’s Hill Top and the charming Dove Cottage that was home to William Wordsworth. I find the history and literature in the county fascinating.
How does the county affect your creative practise as a photographer?
Living in Cumbria can have a profound effect on creative practice. Cumbria is a beautiful and diverse county, with a wide range of landscapes, from the rugged fells of the Lake District to the atmospheric coast. This variety of scenery provides me with a wealth of opportunities to capture the beauty of the county.
How are you embracing a slower pace during the winter as a family?
We’re trying to embrace the darker cold days by keeping in touch with nature, wrapping up and walking together, crafting and creating art. I think just as we normally do but at a slower more considered pace. Talking the time to be together in the winter months, resting up and hunkering down. The winter doesn’t have to be dreary. There is still plenty of beauty outdoors. The first signs of spring are already here.
Do you have a favourite season?
My favourite season is autumn, closely followed by spring. Autumn for so many reasons, the colours, the October skies, the feeling it brings after the summer. When the nights turn and it’s time to start lighting the fire and preparing for the colder months. There is something incredibly melancholy about autumn and that’s the sort of feeling that greatly inspires my work. I adore mood and atmosphere in photography and there’s nothing quite like the feeling autumn creates.
What are you working on in 2023?
I’ve quite a lot going on this year with various projects. I’m working on commercial and branding for small businesses still and I have a limited number of weddings a year too which is now all booked up. I’m also starting a passion project with two friends 'The Seasonal Creative' that will bring photography workshops, creativity and retreats to the heart of the lakes.
the fine, soft curly or wavy hair forming the coat of a sheep, goat, or similar animal, especially when shorn and prepared for use in making cloth or yarn.'
Our appreciation for the noble natural fibres we use within our knitwear is drawn from many elements; from the connections we feel when speaking with local farmers here in Cumbria who supply the raw fleeces, the lustrous soft hand feel created by cashmere, the rich heritage of Donegal and other traditional spins, and how all through the year the versatility of wool continually brings us comfort and protection from the elements.
Through all that we design and create, we have often returned to the question ‘Why choose Wool?’ which continually leads us to an answer that goes beyond the benefits of working with natural fibres. Working so closely with wool has encouraged us to explore many different avenues to further our knowledge on transparency and the circularities and capabilities of knitwear design, all whilst linking with similar minded others; which in our eyes is one of the most important parts.
Below we have shared key reasons as to why we continue to choose wool…
1. It allows us to support farmers
For two new styles in 2021, we developed three exclusive un-dyed fleece blends developed yarns in collaboration with Nibthwaite Grange Farm, located only 10 miles down the road from the OUBAS studio, in addition to another very local farmer just outside of Ulverston.
By working in this way, we not only get to monitor the sourcing and processing of the yarns used in our knitwear, we also get to connect with like-minded individuals who are passionate about regenerative agriculture and caring for our natural landscapes.
Wool is still only a small fraction of a farms turnover, but at a time when the value is so low, we want to be raising it's value and choosing to spin using locally grown fibre. There are only a very small percentage of farms who breed for fibre, and most fleeces are from sheep bread predominantly for their meat.
There is such a diverse range of breeds of sheep in the UK, each holding their own innate qualities and hand feel. We feel there are never ending possibilities for blending and spinning, to create interesting new fabrics made using British Wool.
Easily recycled and reusable with a long life span, wool is one of the most durable materials available to create clothing and accessories and is used time and time again by those wanting to create long lasting designs with a certain hand feel and feel against the skin. As a renewable source of textiles, sheep will regrow their coats each year and when it comes to shearing.
3. Carries a rich history
We feel that natural fibres such as cotton, linen and in particular wool conjure strong nostalgia in their hand feel, smell and appearance. Many of us have been knitted a jumper by a relative and will remember the stiffness of the jumper or cardigan, often with its own unique itch if pure raw wool yarn was chosen! Of course the blends that we select don’t share this same finish but they still retain a certain charm and character through their hand feel, weight and even smell. Famous for being worn by fisherman and those in outdoor labor rolls for many years, wool will only begin to feel wet once it has absorbed 30% of its own weight and shouldn’t retain body odour thanks to its natural antimicrobial status.
Easy to repair by recreating the knit pattern using select darning techniques, knitwear is born with its own character but gains even more over time - whether it is in emotive connection, personal patching and mending or simply as a cherished item that becomes a go-to at certain times of the year.
4. An active fibre
Thanks to the versatility of wool, we create collections throughout the year from light and heavy blends that are able to adapt to the body - meaning they will keep you warm when the temperature drops and cool when the heat returns. By simply adding a knitted scarf or wrap to an outfit, we are able to easily cover exposed hands and neck points from both winter chills and the impact of the sun. Favoured by those seeking quality, outdoor enthusiasts and farmers themselves, wool can resist static, dirt and dust and is capable of retaining its shape. Additionally, wool is breathable and static resistant so cashmere blends are a joy to wear against bare skin and won’t cling.
5. Easy to care for
With the right know-how wool is extremely easy to care for and keep in shape for years to come - it’s no wonder that we are able to hold onto our favourite sweater for so long, or you may be passed down a hand knit from a loved one. The processing of the yarns we select doesn’t involve harsh chemicals that can commonly strip the wool fibres of their natural, beneficial properties. Wool fibres have a naturally protective outer layer and careful washing can help to retain these features.
We recommend gently airing out and brushing your knitwear (depending on how much you wear) - just hang in the bathroom to steam for a refresh, or if it needs more, give a with a gentle hand wash, spin and air dry will keep your knits happy and healthy for many years.
Due to the natural oils in wool, the fibre doesn't need washing as regularly as items you wear next to your skin, or which are absorbent. Naturally eco-friendly!
We hope you enjoy caring for your knitwear, and will share our own care tips for each fibre we use soon.
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We have created an advent gift guide this year for the first time to give you an insight into our world and inspire you with gifting something to be treasured this season.
Additionally, we have included an insight into our favourite craftspeople and independent businesses that, like us, are striving to make a difference to both people and the planet.
As the beginning of advent is upon us, we would like to say thankyou to everyone who has supported us this year. We wish you a happy, healthy and positive end to the year, and start to 2022.
Get cosy with a cup of something and enjoy our guide...
Click on the image below to view, there are interactive elements of the guide - for more information click on product imagery and text.
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'The symbolism of the month of January is obvious, in that the month is the beginning of the year but also a transition from the previous year into the next. January is the door of the year; a door that we can only enter one way but that we can peek back through.'
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This month is one of the most appropriately named months of the year, named after the Roman god, Janus who was depicted with two faces: one looking into the past and the other into the future. It is a time when we look back and reflect on the past twelve months, but also look forward and plan for the year ahead. January is a crossroads between two years; a month that requires a slow pace to carefully gather your thoughts on what has been and what will be.
Image via 'googleimages'
Janus was the protector of gates and doorways, his name coming from the Latin word for ‘door’: ianua. He was the god of beginnings and transitions, also being responsible for changes and time. One of the most important Roman gods, he guarded the gates of Heaven at the beginning of time and his name was the first to be mentioned in prayers.
The symbolism of the month of January is obvious, in that the month is the beginning of the year but also a transition from the previous year into the next. January is the door of the year; a door that we can only enter one way but that we can peek back through.
The symbolism of using this month to plan ahead isn’t just metaphorical. By January, winter has already passed its mid-point and the northern hemisphere is slowly beginning its approach towards spring and new life. While snow and frost can prove difficult conditions to prepare your garden, there are many crops that we can plant and sow in January that give us hope and anticipation for the year ahead.
Sow broad beans in a cold frame, early crops such as cabbages, cauliflower and spinach indoors, and onion seeds in a heated propagator. You can also start chitting early potatoes and growing herbs on your windowsills. Spring bulbs will already be in the ground, but you can plant some summer-flowering bulbs such as gladioli now, and start sowing seed such as snapdragons, carnations and sweet peas in a propagator or indoors.
Of course, it’s traditional to use this month to set resolutions for the year ahead, but we prefer instead to consider our intentions for the year. January is the perfect time to leave behind all that we don’t want to carry with us from the previous twelve months, and to assess any goals, changes or hopes for the future. It’s important to have taken this month as slowly as possible, avoiding rushing through any decisions.
The changes that January brings can be considered internally, or you could physically write down your intentions in a notebook or by creating a vision board for your year ahead. Think back to Janus and his association with beginnings and transitions. Start to see January as a transitional period between this year and the last, where you take on board everything you have learnt and consider how to move forwards.
We hope you've had a quiet and slow January this year, marking the transition from last year into this new year stretching ahead of us.
]]>Learn to see the mundane anew, seeing the beauty in small moments that may usually pass you by. Something that you previously found dull can be transformed into an anticipated event if you slow it down. Life can be hectic at times, so it’s important to hit pause and make the most out of your personal rituals, giving you the chance to breathe and reflect. Don’t feel like you need to make time to slow down every single moment of your life; choose those rituals that you get the most pleasure out of and learn to savour them.
Every small moment can be stretched out and relished. Something as simple as brewing a cup of tea can turn into a slow pleasure if you focus your attention on it. Boil a kettle on the stove and use loose leaf tea, watching the colour of the water transform as the leaves unfurl. Sit down and savour each sip, taking a break from work or other distractions to simply enjoy your brew. Considered moments like this can become daily or weekly rituals that you look forward to.
Even the most mundane tasks can become treasured moments if you give them the time that they deserve. Making the bed is seen as a chore by many but can become something you look forward to each week. Not only does the feeling of fresh sheets feel welcoming and soothing, but refreshing your bed linen can completely transform your inner sanctuary. Don’t rush over this simple task; rather pay attention to detail and prepare a welcoming bed that will provide comfort and tranquillity.
Moments as simple as running a bath, lighting a candle, or tending the fire can become pleasurable if you take the time to appreciate them. Don’t rush through these simple tasks; pause and take note of how they awaken and nourish your senses. The soothing scent of a hot bath filled with salts and essential oils, the mesmerising flickering light of a candle, the warm embrace of a roaring fire – these are all sensations to pause and enjoy.
These small yet simple winter rituals help to restore ourselves while we’re waiting for nature to awaken. We need to take care of ourselves more than ever during the winter months, coating our skin in balms to sooth dry skin, filling our bellies with warm, nourishing foods and finding the light amongst the darkness. Develop your own routines that combat any negative feelings you associate with this time of year. Make soup from scratch once a week using nutritious seasonal vegetables, read in a low light for one hour each evening before bed, or treat yourself to luxurious home spa experiences using face masks, body oils and scrubs. Remember to take pleasure in these small moments, giving yourself a well earned break from reality.
]]>The nights have drawn in and the sun seems to be shying away – winter solstice is upon us. Many of us spend the month of December in anticipation of Christmas, decorating our tree and stringing lights around our homes, but how often do we stop and consider the origins of the celebrations of this time of year?
Take a moment to appreciate and understand the origins of our Christmas traditions.
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The nights have drawn in and the sun seems to be shying away – winter solstice is upon us. Many of us spend the month of December in anticipation of Christmas, decorating our tree and stringing lights around our homes, but how often do we stop and consider the origins of the celebrations of this time of year?
Midwinter celebrations are one of the oldest festivals in the world, dating back tens of thousands of years from our pagan ancestry. The winter solstice itself occurs on the shortest day and longest night in the northern hemisphere (usually 21st December) but some of us like to celebrate midwinter throughout the whole month.
I always associate December with hunkering down and hibernating, spending time sat around the fire, wrapped in blankets, taking note of the year which has happened behind us. Midwinter is the perfect time opportunity to slow down, surrounding ourselves with light in the forms of candles and fires, and making ourselves cosy in the places that we find safe and comforting. After a troubling year, the solstice is also a good time for reflection and thinking ahead, embracing the hope that the new year brings.
Winter solstice isn’t just the shortest day – it’s also the turning point when the days begin to lengthen, and we begin the long haul towards spring. Celebrations originated from ancient people who worshipped the sun; the seasons and weather were an important factor in their survival, so it makes sense that they celebrated when the shortest day had passed.
Winter festivities can be traced back to our northern neighbours: the Scandinavians. The word ‘Yule’ that we carelessly scribe on Christmas cards is the English term for the Nordic ‘Juul’ – an ancient celebration that was observed across Britain before the arrival of Christianity. Yule celebrations included burning the yule log, telling folk stories, and drinking sweet ale. Mistletoe would be cut from the oak trees and given as a blessing, its winter fruit being a symbol of life during the darkest month. When we look back at the customs that our ancestors observed (and many of those living in the Nordic countries still celebrate today), it’s not hard to see where our Christmas celebrations evolved from.
All around the northern hemisphere, different cultures celebrate midwinter. In Britain, the most famous observations of the solstice are the dawn celebrations at Stonehenge, where druids and pagans gather to chant, dance and sing at sunrise. Other cultures may extend the festivities or celebrate on a different day, but there are many similarities to the customs observed.
Swedes celebrate St Lucia’s Day on December 13th (the longest day of the year according to the Julian calendar) with processions of candles where one girl is chosen to wear a crown of candles and serve hot drinks and baked treats. This is the start of the Yule season, where traditions include bringing pine trees into the home, drinking mulled wine, burning fires and giving gifts (sound familiar?)
Many towns in Europe and North America celebrate some sort of lantern festival at this time of year, but perhaps none is more famous than Vancouver’s Winter Solstice Lantern Festival. On the night of the solstice, thousands of people parade through the city with creative paper lanterns, with visitors also enjoying art installations, traditional folk tales and a Labyrinth of Light.
It isn’t just western cultures that celebrate midwinter, however. Lohri is the celebration of the end of winter in northern India, originally held on the solstice but now taking place on January 13th. Huge bonfires are lit and traditional treats such as popcorn and peanuts are thrown into the flames as an offering to the sun gods. Iran also celebrates this time of year with Yalda Night, a traditional celebration on the shortest day of the year that involves telling stories while eating the last fruits of the summer.
You don’t have to participate in a large celebration to recognise the winter solstice, especially not during this strange year when public gatherings are so restricted. There are many ways to mark the occasion at home. Enjoy traditional delicacies such as mulled wine (or glögg, as it is called across the Nordic countries) and yule log (named after the huge logs that were ceremonially burned). Light a fire in your hearth, burn candles or string fairy lights on your tree and around your home. Slow down, and retreat into the cosy nest of your living room.
Take a moment to appreciate and understand the origins of our Christmas traditions.
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You can send a gift direct - just pop a note on the order and we can include a handwritten note,
and gift wrap the pieces for you.
It can be all too easy to become consumed with a little excess at this time of year. For some, Christmas is a season of abundance, and gift buying can often turn into a competition. ‘Who has bought the best present’, or ‘who has spent the most money’ are often internal, subtle questions that are inevitably tossed around, nulling the spirit of the season. This year, more than ever, I’m taking a step back from the commercial side of the festive season and really considering what I gift to my loved ones. I’m thinking quality over quantity, focusing on searching for that one special present that I know someone will love, rather than buying excessive throwaway stocking fillers.
Try to stay clear of generic gifts that offer no thought or consideration. When you’re choosing a gift for your partner, a family member or a friend, take the time to ponder what will really mean something to them. What could you give them that would put a huge smile on their face on Christmas morning? Be one of those people who prefer watching other people opening their gifts, to ripping open the wrapping on your own.
Give with intention, not just for the sake of it, thinking about gifts that will truly be treasured. A timeless jumper, head-wrap or cardigan may be kept forever, passed down to others as an heirloom piece. Buying from small, slow and sustainable brands such as Oubas feels much more special than panic-buying on the high street. A high-quality piece of knitwear is an investment; a gift that will keep on giving.
It doesn’t mean that you have to spend a lot on presents for everyone on your list. Something small like a cosy pair of socks, a hand-poured candle or a notebook can be a valuable gift. Choosing to buy from independent shops and small makers, and really paying attention to the interests and loves of the person you are buying for makes a huge difference. A pair of hand-knitted socks are not the same as those hastily grabbed from the rail of a high street retailer.
I prefer to give one well-considered present to someone on Christmas morning, such as a beautifully wrapped knit, tied up with paper and string. Then, if you’re used to gifting stockings or multiple presents, you can carefully curate small, meaningful gifts to accompany the main surprise. To complement an Oubas jumper, I would give one of my favourite books for the recipient to read snuggled up indoors by the fire, a pack of their favourite herbal tea and a card containing the promise of a long walk together in the hills. Combined, this becomes more a gift of a particular ambiance or feeling. I would hope that the receiver of these gifts would begin to associate their new jumper with the smell of woodsmoke and the feeling of the wind blowing in their hair.
Think of your presence as opposed to presents this Christmas. Ending our long year of isolation and worries by really appreciating whatever time you can spend with family and friends - whether at home, on socially distanced walks or on Zoom. Try to be present and enjoy the individual moments that make up the festive season without putting all your focus on giving and receiving the perfect gifts.
]]>FABRIC OF THE NORTH celebrates considered design, slow living and ethical wellbeing in the North of England.
You can find OUBAS alongside some beautiful small labels and makers in the Fabric of the North 'Gifts From The North'. The guide is designed to be a discovery tool for wonderful local businesses based in the North of England.
“Spread joy among small business owners & designer-makers by supporting those close to home in the North of England. Remember, every pound we spend is a vote for the kind of world we want to live in.”
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British summers often feel like a far cry from the romanticised haze of clear blue skies and sun-kissed skin. Our weather is unpredictable and somewhat unforgiving, serene sunshine can soon turn into a sea of grey, as the heavens open and quite literally dampen your sun-fuelled adventures.
However, lightweight knitwear is the perfect companion for this fickle season. The natural fibres within our garments are exceptionally breathable, providing gentle shielding during the colder moments and offering protection from overheating in warmer times. Aesthetically, knitwear can also be a simple way to add depth and intrigue to your summer outfits, an opportunity to add pleasant hues and tactile textures, no matter your plans.
Geelong Lambswool Wrap Cardigan in Haar
Looking to nature’s colour palette, the hues of summer are far lighter and more serene than those of its autumn and winter counterparts. Light blue is a firm summer favourite, conjuring images of cloudless skies and pale waves crashing gently into the shore. Our Geelong Lambswool Wrap Cardigan in shade Haar contains just enough blue within the sea fog grey tones, to beautifully compliment the season. Falling slightly higher at the front, than at the back, the piece drapes across the shoulders to create an elegant silhouette.
Knitted on a fine knitting machine using a one-ply wool, the cardigan is light yet luxurious, protective but with a barely-there-feel. Pair this item with a floaty summer dress and your favourite sandals for a romantic, yet undone feeling.
Donegal Merino Wool Ribbed Wrap/ Poncho in Graphite
Nothing cries summer like sandy beach days; as blissful slow afternoons transform into spontaneous evenings as we watch the sun setting gracefully over the horizon. Even in the depths of summer, we relish a soft breeze by the sea. However, as the sea heats up much slower than land, this creates a low-pressure zone across the beach, and a high-pressure zone across the water, meaning it can be difficult to know what to wear.
Our Donegal Merino Wool Ribbed Wrap/Poncho provides a beautiful protective shield during long beachy strolls, no matter the summer weather. Spun and dyed in Donegal, Ireland, the natural earthy tones are reminiscent of the rocky shades found along the beach itself. This weighty poncho looks charming when contrasted with delicate summer pieces, adding a touch of class to even the most relaxed outings.
Merino Lambswool Brant Wrap in Denim
With a lightweight and luxurious feel, our Merino Lambswool Brant Wrap drapes around your shoulders just as the cool summer nights draw in. This particular piece has been in the collection since our very first season and remains a treasured favourite.
Made from 100% wool, dyed and spun in Scotland, the piece is then knit in England and is available in an array of rich, vibrant colours, each one adding subtle yet stylish colour to your outfit. With the warmth of the wool and a floaty feel, this non-allergenic and delicate fabric will feel like a second skin.
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Words and photography by Jayde Riley.
The cottage of Parkamoor can be rented self-catering:
dodgsonwood.co.uk/lake-district-accommodation/low-parkamoor-cottage/
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This county has been home to me since before I was born; my roots are here. Both sides of my family live here and my husband and his family are all rooted in the area.
There is a term that people give to the upland fell Herdwick sheep here; ‘hefted’ - meaning that they are rooted to an area of the landscape, they do not wander from where they are born and have a natural ability to stay where their flock is. Sometimes I feel like that has happened to us; our collective histories are woven richly into these landscapes, and our souls both find happiness in the fells.
In a time when we are globally so connected, and when travel is so easy and regular, it feels like an antidote to the crazy rush of life to be so connected to a place to still. It’s like having an anchor point, somewhere to go to recalibrate, somewhere to remind you of the seasons, of the drama of open spaces.
My earliest memories of spending time in the Lake District are family trips to Coniston in the summer sunshine, swimming in fresh water here in the lakes, regular weekend walks as a family, Christmas’s in the frosty surrounding fells.
I have lived for many years away from the area; my studies into textiles took me down to the south of England and to Winchester School of Art to study textiles, specialising in knitwear. I welcomed the change with open arms then;, wanting to stretch myself away and find my own path. The surrounding fields in Hampshire were beautiful, but they didn’t carry the drama of the landscapes that I was used to surrounding myself with. It gave me a perspective on home. After living in Winchester I moved to South Wales to work for Toast; their light open plan offices looked up into the Brecons and from my desk I could look all the way up the Welsh valleys to them. At the weekend I spent my days exploring the hills and the surrounding waterfalls, and whenever I drove home, I did so up the valleys, enjoying a winding journey through mid Wales, avoiding motorways and meeting the busy rush of the M56 at Chester.
After a couple of years in Wales, Cumbria drew me back, and I moved back here to begin Oubas. I live just outside of the National Park now, and have settled here in this beautiful Northern County. Over the past six years of living back in this area I have come to value the immense talent that lives within Cumbria; there are so many creatives who have also been drawn to live in this quiet land.
Some of my favourite places to visit are High Dam Tarn in Finsthwaite (above) walking in either the quiet Dunnerdale or Kentmere valleys, and swimming in Coniston Water, on the eastern shore on a summer evening, so you catch the last of the evening light.
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Oubas was commissioned by Langdale Hotel and Spa to create and produce a hot water bottle cover for their guests. We produced these in the workshop in Cumbria and sourced the wool from a renowned mill in Scotland.
A neutral palette in 100% Scottish spun Lambswool, with natural cotton herringbone tie and a two shade pattern.
Below is a sample of the bottle cover created for the hotel.
Interested in a commission for your hotel or guest house? Contact Kate - kate@oubasknitwear.co.uk / 01539 217214. We can consult with you and design to your required interior design, washing requirements and quantities. Either producing in our workshop or in our partner knitwear mills in the UK.
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In March 2017 I spent two days filming with Benn Berkeley of Gokotta Film.
We spent a cold Spring morning shooting up on Gummer's How which looks down onto Windermere, as well as Benn filming in the studio to capture the processes involved in our knitwear production.
Gokotta Film is a multi-award winning film studio telling stories from across the globe. They focus on web-based short form media, capturing stories through innovative film making to produce high quality, shareable content for online platforms.
They provide a full service from concept through to post-production, creating powerful visuals and narrative that are both captivating and beautifully produced.
You can see more of Gokotta Film's award winning work on his own website here:
Benn is highly creative and meticulous in his work; we re-shot many times to get the perfect capture.
Enjoy discovering a little behind the scenes.
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Venue: The Malabar, Sedbergh www.themalabar.co.uk
Photographer: Tiree Dawson www.tireedawson.co.uk
Styled by: Tebbey & Co www.tebbeyandco.com
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